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Annie Get Your Gun
AUTHOR(S):     Irving Berlin     
TYPE:     Musical     
SYNOPSIS:     When Buffolo Bill's Wild West Show comes into town, Annie Oakley quickly falls in love with the show's sharpshooter, Frank Butler. Annie, an amazing sharpshooter herself, joins the show so she can win Frank. Unfortunately for Annie, Frank wants a more feminine woman and not a tomboy, gun-toting dame. Further, the fact that she can shoot better than Frank makes her his enemy. In the end, Annie lets Frank win in the sharpshooting contest. As a result, he falls in love with Annie and the two sharpshooters get married.     

CHARACTERS:
NAME:     Charlie Davenport - Tenor (low B to high G )     PART SIZE:     Supporting     DANCING:     N/A     AGE RANGE:     30 - 45     
Buffolo Bill's Wild West Show's advance manager.                                        

NAME:     Frank Butler - Baritone (low bB to high bG )     PART SIZE:     Supporting     DANCING:     N/A or Light     AGE RANGE:     25 - 40     
A suave sharpshooter in Buffolo Bill's show. He eventually falls in love with Annie.                                        

NAME:     Annie Oakley - Mezzo (low #G to D )     PART SIZE:     Lead     DANCING:     N/A or Light     AGE RANGE:     20 - 30     
A happy, country girl who is an amazing markswoman. She is in love with Frank Butler.                                        

NAME:     Foster Wilson - Baritone (G to D )     PART SIZE:     Cameo     DANCING:     N/A     AGE RANGE:     45 - 70     
A hotel owner.                                        

NAME:     Colonel William F. Cody (Buffolo Bill) - Baritone (low B to D )     PART SIZE:     Supporting     DANCING:     N/A     AGE RANGE:     45 - 70     
The founder of Buffolo Bill's Wild West Show.                                        

NAME:     Tommy Keeler - Baritone (low D to bE )     PART SIZE:     Supporting     DANCING:     Not available     AGE RANGE:     17 - 23     
Winnie's boyfriend. He is not in the released version of Annie Get Your Gun.                                        

NAME:     Dolly Tate - N/A     PART SIZE:     Cameo     DANCING:     N/A     AGE RANGE:     40 - 55     
A busty woman in Buffolo Bill's show and mother of Winnie.                                        

NAME:     Winnie Tate - Soprano (low C to bE )     PART SIZE:     Supporting     DANCING:     N/A     AGE RANGE:     16 - 21     
Dolly Tate's attractive daughter who is also in Buffolo Bill's show. She is dating Tommy.                                        

NAME:     Chief Sitting Bull - Baritone (low C to C )     PART SIZE:     Supporting     DANCING:     N/A     AGE RANGE:     40 - 656     
A man of few words who is used as a gimmick for Pawnee Bill in order to attract attention away from Buffolo Bill's Show.                                        

NAME:     Pawnee Bill - Baritone (low D to C )     PART SIZE:     Supporting     DANCING:     N/A     AGE RANGE:     40 - 65     
In charge of a show that competes with Buffolo Bill's Wild West Show.                                        


LYRICS

COLONEL BUFFALO BILL
CHARLIE
WHO'S GOT THE STUFF THAT MADE THE WILD WEST WILD?
WHO PLEASES EVERY WOMAN. MAN AND CHILD?
WHO DOES HIS BEST TO GIVE THE CUSTOMERS A THRILL?

CROWD
WHO?

CHARLIE
COLONEL BUFFALO BILL!
WHO'S GOT THE SHOW THAT GETS THE MOST APPLAUSE?
FIVE HUNDRED INDIANS AND FIFTY SQUAWS,
TEN FEATURE ACTS, AND THERE'S THE SPECIAL FEATURE STILL.

CROWD
WHO?

CHARLIE
COLONEL BUFFALO BILL!
DID YOU EVER SEE A COWBOY ROPE A STEER?

CROWD
NO, WE HAVEN'T!

CHARLIE
OR AN INDIAN WITH FEATHERS THROW A SPEAR?

CROWD
NO, WE HAVEN'T!

CHARLIE
OR A MARKSMAN SHOOT AN EARRING FROM AN EAR?

CROWD

NO, WE HAVEN'T!

CHARLIE
DID YOU EVER SEE A HOLD-UP?

CROWD
NO, SIR!

CHARLIE
THEN GATHER CLOSER
AND LET ME GIVE YOU SOME OF THE ATMOSPHERE.
THE HOUR IS MIDNIGHT
AND ALL IS STILL'.
WE SEE THE STAGE COACH

CLIMBING UP A HILL,
GOING ALONG THE MOUNTAIN TRAIL.
CARRYING PASSENGERS AND MAIL.
NEVER SUSPECTING DANGER AS THEY ROLL ALONG.
THE WATCHFUL DRIVER
IS IN HIS SEAT.
HIS TRUSTY RIFLE
LYING AT HIS FEET.
SOME OF THE PASSENGERS INSIDE
SEEM TO BE DOZING AS THEY RIDE,
NEVER SUSPECTING THERE IS SOMETHING REALLY WRONG.
SUDDENLY THERE'S A SHOUT.

CROWD
WHAT IS IT ALL ABOUT?

CHARLIE
WHAT IS IT ALL ABOUT YOU ASK-IF'S INDIANS!

CROWD
INDIANS?

CHARLIE
INDIANS!

CROWD
INDIANS?

CHARLIE
VERY NOTABLE-CUT YOUR THROATABLE INDIANS!

CROWD
INDIANS?

CHARLIE
JUST WHEN THEY'VE TAKEN EVERYONE BY FORCE.
WHO MAKES AN ENTRANCE ON A BIG WHITE HORSE?
WHO STARTS A SHOOTIN' 'TILL THERE'S NO ONE LEFT TO KILL?

SMALL GIRL
GENERAL GRANT?

CHARLIE
NO! COLONEL BUFFALO BILL.

CROWD
CERTAINLY THIS IS QUITE A THRILL.
BETTER THAN ALL THE VAUDEVILLE.
LET US BE ON THE GO-AND SEE THE SHOW
WITH BUFFALO BILL...
2. I'M A BAD, BAD MAN
FRANK
I'M HONORED-I'M FLATTERED.
THIS GREETING REALLY MATTERED,
THIS WELCOME IS GRAND. BUT I'M REALLY CONCERNED.
I LIKE YOUR ATTENTION,
BUT THIS I HAVE TO MENTION.
YOU'RE PLAYING WITH FIRE AND YOU'RE APT TO GET BURNED.
THERE'S A GIRL IN TENNESSEE
WHO'S SORRY SHE MET UP WITH ME.
CAN'T GO BACK TO TENNESSEE,
I'M A BAD. BAD MAN.
THERE'S A GIRL IN OMAHA,
BUT I RAN FASTER THAN HER PA.
CAN'T GO BACK TO OMAHA.
I'M A BAD, BAD MAN.
THERE'S A GIRL IN WYOMING.
AND THEY'RE COMBING-WYOMING
TO FIND THE MAN IN WHITE
WHO WAS OUT WITH HER THAT NIGHT.
THERE'S A GIRL IN ARKANSAS,
THE SHERIFF IS HER BROTHER-IN-LAW.
CAN'T GO BACK TO ARKANSAS.
I'M A BAD. BAD MAN.

GIRLS
YOU ARE MAKING TOO MUCH FUSS.
FOR WE DON'T GIVE A TINKER'S CUSS.
WE'VE BEEN OUT. YES, EACH OF US.
WITH A BAD. BAD MAN.
WE'VE BEEN CHASING UP AND DOWN,
THE OTHER SHOW HAS JUST LEFT TOWN.
AND THE ONE WHO PLAYED THE CLOWN
WAS A BAD. BAD MAN.

FRANK
I'M ENLIGHTENED-BUT FRIGHTENED.
THO' MY INTEREST YOU'VE HEIGHTENED.
IT MIGHT TURNOUT TO BE
THAT YOU'RE MUCH TOO MUCH FOR ME.
SO I'LL GO BACK TO MY TENT.
AND SOME DAY WHEN YOU'RE OLD AND BENT,
THINK OF HOURS YOU MIGHT HAVE SPENT
WITH A BAD. BAD MAN.
3. DOIN' WHAT COMES NATUR'LLY
ANNIE
FOLKS ARE DUMB WHERE I COME FROM,
THEY AIN'T HAD ANY LEARNIN',
STILL THEY'RE HAPPY AS CAN BE
DOIN' WHAT COMES NATUR'LLY

KIDS
DOIN' WHAT COMES NATUR'LLY

ANNIE
FOLKS LIKE US COULD NEVER FUSS
WITH SCHOOLS AND BOOKS AND LEARNIN',
STILL WE'VE GONE FROM A TO Z
DOIN' WHAT COMES NATUR'LLY

KIDS
DOIN' WHAT COMES NATUR'LLY

ANNIE
YOU DON'T HAVE TO KNOW HOW TO READ OR WRITE
WHEN YOU'RE OUT WITH A FELLER IN THE PALE MOONLIGHT,
YOU DON'T HAVE TO LOOK IN A BOOK TO FIND
WHAT HE THINKS OF THE MOON OR WHAT IS ON HIS MIND,
THAT COMES NATUR'LLY

KIDS
THAT COMES NATUR'LLY

ANNIE
MY UNCLE OUT IN TEXAS
CAN'T EVEN WRITE HIS NAME,
HE SIGNS HIS CHECKS WITH X'S,
BUT THEY CASH THEM LUST THE SAME.
IF YOU SAW MY PAW AND MAW
YOU'D KNOW THEY HAD NO LEARNIN';
STILL THEY RAISED A FAMILY
DOIN' WHAT COMES NATUR'LLY

KIDS
DOIN' WHAT COMES NATUR'LLY

ANNIE
UNCLE JED HAS NEVER READ
A' ALMANAC ON DRINKIN',
STILL HE'S ALWAYS ON A SPREE
DOIN' WHAT COMES NATUR'LLY

KIDS
DOIN' WHAT COMES NATUR'LLY

ANNIE
SISTER SAL WHO'S MUS-I-CAL,
HAS NEVER HAD A LESSON,
STILL SHE'S LEARNED TO SING OFF KEY
DOIN' WHAT COMES NATUR'LLY

KIDS
DOIN' WHAT COMES NATUR'LLY

ANNIE
YOU DON'T HAVE TO GO TO A PRIVATE SCHOOL,
NOT TO PICK UP A PENNY NEAR A STUBBORN MULE.
YOU DON'T HAVE TO HAVE A PROFESSOR'S DOME,
NOT TO GO FOR THE HONEY WHEN A BEE'S AT HOME
THAT COMES NATUR'LLY

KIDS
THAT COMES NATUR'LLY

ANNIE
MY TINY BABY BROTHER,
WHO'S NEVER READ A BOOK,
KNOWS ONE SEX FROM THE OTHER,
ALL HE HADDA DO WAS LOOK
GRANDPAW BILL LIVES ON THE HILL
WITH SOMEONE HE JUST MARRIED,
THERE HE IS AT NINETY-THREE
DOIN' WHAT COMES NATUR'LLY

SISTER LU AIN'T GOT A SOU,
ALTHOUGH SHE GOES OUT SHOPPING,
SHE GETS ALL HER STOCKINGS FREE,
DOIN' WHAT COMES NATUR'IIY

WILSON
DOIN' WHAT COMES NATUR'LLY

ANNIE
COUSIN NELL CAN'T ADD OR SPELL,
BUT SHE LEFT SCHOOL WITH HONORS
SHE GOT EVERY KNOWN DEGREE
FOR DOIN' WHAT COMES NATUR'LLY

WILSON
DOIN' WHAT COMES NATUR'LLY

ANNIE
YOU DON'T HAVE TO COME FROM A GREAT BIG TOWN,
NOT TO CLEAN OUT A STABLE IN AN EVENING GOWN;
YOU DON'T HAVE TO MIX WITH THE VANDERBILTS,
NOT TO TAKE OFF YOUR PANTIES WHEN YOU'RE WEARING KILTS
THAT COMES NATUR'LLY

WILSON
THAT COMES NATUR'LLY

ANNIE
MY MOTHER'S COUSIN CARRIE
WON'T EVER CHANGE HER NAME,
SHE DOESN'T WANT TO MARRY,
AND HER CHILDREN FEEL THE SAME
SISTER ROSE HAS LOTS OF BEAUS
ALTHO' WE HAVE NO PARLOR,
SHE DOES FINE BEHIND A TREE,
DOIN' WHAT COMES NATUR'LLY-
DOIN' WHAT COMES NATUR'LLY
4. THE GIRL THAT I MARRY
FRANK
THE GIRL THAT I MARRY WILL HAVE TO BE
AS SOFT AND AS PINK AS A NURSERY;
THE GIRL I CALL MY OWN
WILL WEAR SATINS AND LACES AND SMELL OF COLOGNE.
HER NAILS WILL BE POLISHED AND IN HER HAIR
SHE'LL WEAR A GARDENIA AND I'LL BE THERE.
'STEAD OF FLITTIN'-L'LL BE SITTIN'
NEXT TO HER AND SHE'LL PURR LIKE A KITTEN.
A DOLL I CAN CARRY
THE GIRL THAT I MARRY MUST BE.


5. YOU CAN'T GET A MAN WITH A GUN
ANNIE
OH, MY MOTHER WAS FRIGHTENED BY A SHOTGUN THEY SAY.
THAT'S WHY I'M SUCH A WONDERFUL SHOT.
I'D BE OUT IN THE CACTUS AND I'D PRACTICE ALL DAY
AND NOW TELL ME WHAT HAVE I GOT?
I'M QUICKEN THE TRIGGER
WITH TARGETS NOT MUCH BIGGER
THAN A PINPOINT. I'M NUMBER ONE,
BUT MY SCORE WITH A FELLER
IS LOWER THAN A CELLAR.
OH, YOU CAN'T GET A MAN WITH A GUN.
WHEN I'M WITH A PISTOL
I SPARKLE LIKE A CRYSTAL.
YES, I SHINE LIKE THE MORNING SUN.
BUT I LOSE ALL MY LUSTRE
WHEN WITH A BRONCHO-BUSTER;
OH. YOU CAN'T GET A MAN WITH A GUN.
WITH A GU-UN-WITH A GU-UN.
NO, YOU CAN'T GET A MAN WITH A GUN.
IF I WENT TO BATTLE
WITH SOMEONE'S HERD OF CATTLE
YOU'D HAVE STEAK WHEN THE JOB WAS DONE
BUT IF I SHOT THE HERDER
THEY'D HOLLER BLOODY MURDER
AND YOU CAN'T SHOOT A MALE
IN THE TAIL LIKE A QUAIL,
OH. YOU CAN'T GET A MAN WITH A GUN.

I'M COOL, BRAVE AND DARING
TO SEE A LION GLARING
WHEN I'M OUT WITH MY REMINGTON
BUT A LOOK FROM A MISTER
WILL RAISE A FEVER BLISTER.
OH, YOU CAN'T GET A MAN WITH A GUN.
THE GALS WITH UMBRELLERS
ARE ALWAYS OUT WITH FELLERS
IN THE RAIN OR THE BLAZING SUN
BUT A MAN NEVER TRIFLES
WITH GALS WHO CARRY RIFLES
OH, YOU CAN'T GET A MAN WITH A GUN.
WITH A GU-UN-WITH A GU-UN.
NO, YOU CAN'T GET A MAN WITH A GUN.
A MAN'S LOVE IS MIGHTY
HE'LL EVEN BUY A NIGHTIE
FOR A GAL WHO HE THINKS IS FUN,
BUT THEY DON'T BUY PYLAMAS
FOR PISTOL-PACKIN' MAMMAS,
AND YOU CAN'T GET A HUG
FROM A MUG WITH A SLUG,
OH. YOU CAN'T GET A MAN WITH A GUN.

IF I SHOT A RABBIT.
SOME FURRIER WOULD GRAB IT
FOR A COAT THAT WOULD WARM SOMEONE;
BUT YOU CAN'T SHOOT A LOVER
AND USE HIM FOR A COVER,
OH. YOU CAN'T GET A MAN WITH A GUN.
IF I SHOT AN EAGLE,
ALTHOUGH IT WASN'T LEGAL.
HE'D BE STUFLED WHEN THE JOB WAS DONE.
BUT YOU CAN'T STUFF A FELLER.
AND WATCH HIM TURNING YELLER
OH, YOU CAN'T GET A MAN WITH A GUN
WITH A GU.UN-WITH A GU.UN,
NO, YOU CAN'T GET A MAN WITH A GUN.
A TOM, DICK OR HARRY
WILL BUILD A HOUSE FOR CARRIE
WHEN THE PREACHER HAS MADE THEM ONE.
BUT HE CAN'T BUILD YOU HOUSES
WITH BUCKSHOT IN HIS TROUSERS.
FOR A MAN MAY BE HOT.
BUT HE'S NOT-WHEN HE'S SHOT.
OH, YOU CAN'T GET A MAN WITH A GUN.
6. THERE'S NO BUSINESS LIKE SHOW BUSINESS
CHARLIE
THE COWBOYS, THE WRESTLERS, THE TUMBLERS, THE CLOWNS,
THE ROUSTABOUTS THAT MOVE THE SHOW AT DAWN,

BUFFALO BILL
THE MUSIC, THE SPOTLIGHTS, THE PEOPLE, THE TOWNS,
YOUR BAGGAGE WITH THE LABELS PASTED ON.

FRANK
THE SAWDUST AND THE HORSES AND THE SMELL,
THE TOWEL YOU'VE TAKEN FROM THE LAST HOTEL.

CHARLIE, BUFFALO BILL & FRANK
THERE'S NO BUSINESS LIKE SHOW BUSINESS.
LIKE NO BUSINESS I KNOW.

BUFFALO BILL
EVERYTHING ABOUT IT IS APPEALING,

CHARLIE
EVERYTHING THE TRAFFIC WILL ALLOW.

FRANK
NOWHERE COULD YOU GET THAT HAPPY FEELING
WHEN YOU ARE STEALING THAT EXTRA BOW.

CHARLIE, BUFFALO BILL & FRANK
THERE'S NO PEOPLE LIKE SHOW PEOPLE,
THEY SMILE WHEN THEY ARE LOW.

CHARLIE
YESTERDAY THEY TOLD YOU YOU WOULD NOT GO FAR.

BUFFALO BILL
THAT NIGHT YOU OPEN AND THERE YOU ARE,

FRANK
NEXT DAY ON YOUR DRESSING ROOM THEY'VE HUNG A STAR.

CHARLIE, BUFFALO BILL & FRANK
LET'S GO ON WITH THE SHOW.

BUFFALO BILL
THE COSTUMES, THE SCENERY, THE MAKE-UP, THE PROPS.
THE AUDIENCE THAT LIFTS YOU WHEN YOU'RE DOWN.

CHARLIE
THE HEADACHES, THE HEARTACHES, THE BACKACHES, THE FLOPS.
THE SHERIFF WHO ESCORTS YOU OUT OF TOWN.

FRANK
THE OPENING WHEN YOUR HEART BEATS LIKE A DRUM.
THE CLOSING WHEN THE CUSTOMERS WON'T COME.

CHARLIE, BUFFALO BILL & FRANK
THERE'S NO BUSINESS LIKE SHOW BUSINESS.
LIKE NO BUSINESS I KNOW.

CHARLIE
YOU GET WORD BEFORE THE SHOW HAS STARTED
THAT YOUR FAVORITE UNCLE DIED AT DAWN;

FRANK
'TOP OF THAT YOUR MA AND PA HAVE PARTED.
YOU'RE BROKEN-HEARTED ... BUT YOU GO ON.

CHARLIE, BUFFALO BILL & FRANK
THERE'S NO PEOPLE LIKE SHOW PEOPLE,
THEY DON'T RUN OUT OF DOUGH.

CHARLIE
ANGELS COME FROM EVERYWHERE WITH LOTS OF JACK

BUFFALO BILL
AND WHEN YOU LOSE IT THERE'S NO ATTACK.

FRANK
WHERE COULD YOU GET MONEY THAT YOU DON'T GIVE BACK?

CHARLIE, BUFFALO BILL & FRANK
LET'S GO ON WITH THE SHOW.

ANNIE
THERE'S NO BUSINESS LIKE SHOW BUSINESS,
IF YOU TELL ME IT'S SO.

FRANK
TRAV'LING THROUGH THE COUNTRY IS SO THRILLING.

BUFFALO BILL
STANDING OUT IN FRONT ON OPENING NIGHTS,

CHARLIE
SMILING AS YOU WATCH THE BENCHES FILLING
AND SEE YOUR BILLING ... OUT THERE IN LIGHTS.

ANNIE
THERE'S NO PEOPLE LIKE SHOW PEOPLE,
THEY SMILE WHEN THEY ARE LOW.

CHARLIE
EVEN WITH A TURKEY THAT YOU KNOW WILL FOLD

BUFFALO BILL
YOU MAY BE STRANDED OUT IN THE COLD.

FRANK
STILL YOU WOULDN'T CHANGE IT FOR A SACK OF GOLD.

ALL
LET'S GO ON WITH THE SHOW ...
LET'S GO ON WITH THE SHOW.
7. THEY SAY IT'S WONDERFUL
ANNIE
RUMORS FLY AND YOU CAN'T TELL WHERE THEY START.
'SPEC'LLY WHEN IT CONCERNS A PERSON'S HEART.
I'VE HEARD TALES THAT COULD SET MY HEART AGLOW:
WISH'T I KNEW IF THE THINGS I HEARD ARE SO.
THEY SAY THAT FALLING IN LOVE IS WONDERFUL.
IT'S WONDERFUL-SO THEY SAY.
AND WITH A MOON UP ABOVE-IT'S WONDERFUL,
IT'S WONDERFUL-SO THEY TELL ME.
I CAN'T RECALL WHO SAID IT,
I KNOW I NEVER READ IT.
I ONLY KNOW THEY TELL ME THAT LOVE IS GRAND-AND
THE THING THAT'S KNOWN AS ROMANCE
IS WONDERFUL. WONDERFUL. IN EVERY WAY.
SO THEY SAY.

FRANK
RUMORS FLY AND THEY OFTEN LEAVE A DOUBT,
BUT YOU'VE COME TO THE RIGHT PLACE TO FIND OUT
EV'RYTHING THAT YOU'VE HEARD IS REALLY SO;
I'VE BEEN THERE ONCE OR TWICE AND I SHOULD KNOW.
YOU'LL FIND THAT FALLING IN LOVE IS WONDERFUL.
IT'S WONDERFUL. AS THEY SAY.
AND WITH A MOON UP ABOVE. IT'S WONDERFUL.
IT'S WONDERFUL. AS THEY TELL YOU.
YOU LEAVE YOUR HOUSE SOME MORNING
AND WITHOUT ANY WARNING
YOU'RE STOPPING PEOPLE SHOUTING THAT LOVE IS GRAND-AND
TO HOLD A MAN IN YOUR ARMS IS WONDERFUL, WONDERFUL,
IN EVERY WAY.

ANNIE
I SHOULD SAY.
8. MOONSHINE LULLABY
ANNIE
BEHIND THE HILL
THERE'S A BUSY LITTLE STILL
WHERE YOUR PAPPY'S WORKING IN THE MOONLIGHT.
YOUR LOVIN' PAW
ISN'T QUITE WITHIN THE LAW,
SO HE'S HIDING THERE BEHIND THE HILL.
BYE. BYE. BABY.
STOP YOUR YAWNING.
DON'T CRY BABY
DAY WILL BE DAWNING.
AND WHEN IT DOES
FROM THE MOUNTAIN WHERE HE WUZ
HE'LL BE COMING WITH A JUG OF MOONSHINE;
SO COUNT YOUR SHEEP.
MAMMA'S SINGING YOU TO SLEEP.
WITH A MOONSHINE LULLABY.
DREAM OF PAPPY.
VERY HAPPY
WITH HIS JUG OF MOUNTAIN RYE.
SO COUNT YOUR SHEEP,
MAMMA'S SINGING YOU TO SLEEP
WITH THE MOONSHINE LULLABY.

TRIO
BEHIND THE HILL
THERE'S A BUSY LITTLE STILL
WHERE YOUR PAPPY'S WORKING IN THE MOONLIGHT,
YOUR LOVIN' PAW
ISN'T QUITE WITHIN THE LAW,
SO HE'S HIDING THERE BEHIND THE HILL.

ANNIE & TRIO
BYE BYE. BABY.
STOP YOUR YAWNIN'.
DON'T CRY. BABY.
DAY WILL BE DAWNIN'.

TRIO
AND WHEN IT DOES
FROM THE MOUNTAIN WHERE HE WUZ
HE'LL BE COMING WITH A JUG OF MOONSHINE.

ANNIE
SO COUNT YOUR SHEEP,
MAMMA'S SINGING YOU TO SLEEP
WITH A MOONSHINE LULLABY.

KIDS
DREAM OF PAPPY.
VERY HAPPY
WITH HIS JUG OF MOUNTAIN RYE.

ANNIE
SO COUNT YOUR SHEEP.
MAMMA'S SINGING YOU TO SLEEP
WITH THE MOONSHINE LULLABY.
9. I'LL SHARE IT ALL WITH YOU
TOMMY
WHAT IS MINE, DEAR; WILL BE YOURS.
WHEN THE SUN SHINES AND WHEN IT POURS,
SUMMER. WINTER. FALL OR SPRING,
FIFTY-FIFTY IN EV'RVTHING.
HAVEN'T GOT MUCH-EVEN THAT MUCH
TO MY NAME.
FORTUNE'S DOOR SHUT-CAN'T GET IN. BUT
JUST THE SAME.
MY EAR FOR MUSIC,
MY FEET FOR DANCING.
MY LIPS FOR KISSING.
I'LL SHARE IT ALL WITH YOU.
MY SENSE OF HUMOR;
MY DISPOSITION.
MY ROSY FUTURE,
I'LL SHARE IT ALL WITH YOU.
SOME DAY, HONEY-I'LL HAVE MONEY,
YOU KNOW WHAT THAT BRINGS.
FURS AND DIAMOND RINGS.
AND BESIDES THOSE THINGS-THERE'LL BE
MY EAR FOR MUSIC.
MY FEET FOR DANCING.
MY LIPS FOR KISSING.
I'LL SHARE IT ALL WITH YOU.

WINNIE
MY HEAD FOR THINKING.
MY FACE FOR SMILING.
MY HANDS FOR COOKING.
I'LL SHARE IT ALL WITH YOU.
MY UNDERSTANDING.
MY LOVING NATURE.
MY GOOD INTENTIONS,
I'LL SHARE IT ALL WITH YOU.
I'M NOT TWENTY.
BUT THERE'S PLENTY
UNDERNEATH MY HAT;
I KNOW WHERE I'M AT
AND ON TOP OF THAT
THERE'LL BE
MY EAR FOR MUSIC,
MY FEET FOR DANCING,
MY LIPS FOR KISSING,
I'LL SHARE IT ALL WITH YOU.
10. THERE'S NO BUSINESS LIKE SHOW BUSINESS [REPRISE]
ANNIE
THERE'S NO BUSINESS LIKE SHOW BUSINESS.
LIKE NO BUSINESS I KNOW.
ALL MADE UP AND SOON YOU'LL BE APPEARING.
EV'RY BIT OF NERVOUSNESS IS GONE.
THEN THE SOUND THAT'S MUSIC TO YOUR HEARING.
TO HEAR THEM CHEERIN'-WHEN YOU COME ON.
THERE'S NO PEOPLE LIKE SHOW PEOPLE.
THEY SMILE WHEN THEY ARE LOW.
HOWL WISH THE FOLKS AT HOME COULD ONLY SEE
WHAT'S COME TO ANNIE-HOW PROUD THEY'D BE.
GETTIN' PAID FOR DOIN' WHAT COMES NATUR'LLY.
LET'S GO ON WITH THE SHOW.
11. MY DEFENSES ARE DOWN
FRANK
I'VE HAD MY WAY WITH SO MANY GIRLS.
AND IT WAS LOTS OF FUN.
MY SYSTEM WAS TO KNOW MANY GIRLS.
'TWOULD KEEP ME SAFE FROM ONE-
I FIND IT CAN'T BE DONE!
MY DEFENSES ARE DOWN.
SHE'S BROKEN MY RESISTANCE.
AND I DON'T KNOW WHERE I AM.
I WENT INTO THE FIGHT LIKE A LION,
BUT I CAME OUT LIKE A LAMB.
MY DEFENSES ARE DOWN,
SHE'S GOT ME WHERE SHE WANTS ME.
AND I CAN'T ESCAPE NO HOW,
I COULD SPEAK TO MY HEART WHEN IT WEAKENED.
BUT MY HEART WON'T LISTEN NOW.
LIKE A TOOTHLESS. CLAWLESS TIGER;
LIKE AN ORGAN-GRINDER'S BEAR.
LIKE A KNIGHT WITHOUT HIS ARMOUR;
LIKE SAMSON WITHOUT HIS HAIR;
MY DEFENSES ARE DOWN.
I MIGHT AS WELL SURRENDER;
FOR THE BATTLE CAN'T BE WON.
BUT I MUST CONFESS THAT I LIKE IT,
SO THERE'S NOTHING TO BE DONE.
YES, I MUST CONFESS THAT I LIKE IT,
BEING MISERABLE IS GONNA BE FUN!

BOYS
HIS DEFENSES ARE DOWN.
SHE'S BROKEN HIS RESISTANCE AND HE'S IN AN AWFUL JAM.

FRANK
I WENT INTO THE FIGHT LIKE A LION,

BOYS
BUT YOU CAME OUT LIKE A LAMB.

FRANK
MY DEFENSES ARE DOWN.

BOYS
SHE'S GOT YOU WHERE SHE WANTS YOU AND YOU
CAN'T ESCAPE NO HOW.

FRANK
I COULD SPEAK TO MY HEART WHEN IT WEAKENED.

BOYS
BUT YOUR HEART WON'T LISTEN NOW.

FRANK
LIKE A TOOTHLESS. CLAWLESS TIGER.
LIKE AN ORGAN-GRINDER'S BEAR.

BOYS
LIKE A KNIGHT WITHOUT HIS ARMOR;

FRANK
LIKE SAMSON WITHOUT HIS HAIR;
MY DEFENSES ARE DOWN.

BOYS
YOU MIGHT AS WELL SURRENDER FOR THE BATTLE CAN'T BE WON.

FRANK
BUT I MUST CONFESS THAT I LIKE IT.
SO THERE'S NOTHING TO BE DONE.

BOYS
YES, YOU MUST CONFESS THAT YOU LIKE IT.

FRANK
BEING MISERABLE

ALL
IS GONNA BE FUN!
12. I'M AN INDIAN TOO
ANNIE
LIKE THE SEMINOLE.
NAVAJO. KICKAPOO.
LIKE THOSE INDIANS
I'M AN INDIAN TOO.
A SIOUX-OOH-OOH-A SIOUX.
JUST LIKE BATTLE-AXE.
HATCHET-FACE. EAGLE NOSE.
LIKE THOSE INDIANS
I'M AN INDIAN TOO.
A SIOUX-OOH-OOH A SIOUX.
SOME INDIAN SUMMER'S DAY
WITHOUT A SOUND
I MAY HIDE AWAY
WITH BIG CHIEF HOLE-IN-THE-GROUND.
AND I'LL HAVE TOTEM POLES.
TOMAHAWKS. PIPES OF PEACE.
WHICH WILL GO TO PROVE
I'M AN INDIAN TOO.
A SIOUX-OOH-OOH A SIOUX.

WITH MY CHIEF IN HIS TEEPEE
WE'LL RAISE AN INDIAN FAMILY.
AND I'LL BE BUSY NIGHT AND DAY
LOOKING LIKE A FLOUR-SACK.
WITH TWO PAPOOSES ON MY BACK
AND THREE PAPOOSES ON THE WAY.

LIKE THE CHIPP-E-WA.
IROQUOIS. OMAHA.
LIKE THOSE INDIANS
I'M AN INDIAN TOO.
A SIOUX-OOH-OOH A SIOUX.
JUST LIKE RISING-MOON.
FALLING-PANTS. RUNNING-NOSE.
LIKE THOSE INDIANS.
I'M AN INDIAN TOO,
A SIOUX-OOH-OOH A SIOUX.
SOME INDIAN SUMMER'S DAY
WITHOUT A CARE
I MAY RUN AWAY
WITH BIG CHIEF SON-OF-A-BEAR;
AND I'LL WEAR MOCCASINS. WAMPUM BEADS. FEATHER HATS.
WHICH WILL GO TO PROVE
I'M AN INDIAN TOO.
A SIOUX-OOH-OOH A SIOUX.



1. I GOT LOST IN HIS ARMS
ANNIE
DON'T ASK ME JUST HOW IT HAPPENED,
I WISH I KNEW.
I CAN'T BELIEVE THAT IT'S HAPPENED.
AND STILL IT'S TRUE.
I GOT LOST IN HIS ARMS AND I HAD TO STAY.
IT WAS DARK IN HIS ARMS AND I LOST MY WAY.
FROM THE DARK CAME A VOICE AND IT SEEMED TO SAY:
"THERE YOU GO.. .THERE YOU GOT"
HOWL FELT AS I FELL I JUST CAN'T RECALL.
BUT HIS ARMS HELD ME FAST AND IT BROKE THE FALL.
AND I SAID TO MY HEART AS IT FOOLISHLY KEPT JUMPING
ALL AROUND.
"I GOT LOST. BUT LOOK WHAT I FOUND!"

ENSEMBLE
"THERE YOU GO - - THERE YOU GO!"

ANNIE
HOWL FELT AS I FELL I JUST CAN'T RECALL.
BUT HIS ARMS HELD ME FAST AND IT BROKE THE FALL.
AND I SAID TO MY HEART AS IT FOOLISHLY KEPT JUMPING
ALL AROUND.
"I GOT LOST, BUT LOOK WHAT I FOUND!"
2. WHO DO YOU LOVE, I HOPE
TOMMY
I'VE GOT THE QUESTION.
I'VE HAD IT FOR DAYS,
YOU'VE GOT THE ANSWER; DEAR.
I'LL PUT THE QUESTION
IN ONE LITTLE PHRASE.
SAY WHAT I WANT TO HEAR;
WHO DO YOU LOVE. I HOPE.
WHO WOULD YOU KISS. I HOPE.
WHO IS IT GOING TO BE?
I HOPE. I HOPE. I HOPE IT'S ME.
WHO DO YOU WANT. I HOPE.
WHO DO YOU NEED. I HOPE.
WHO IS IT GOING TO BE?
I HOPE. I HOPE. I HOPE IT'S ME.
IS IT THE BAKER WHO GAVE YOU A CAKE?
I SAW THAT LOOK IN HIS EYE.
IS IT THE BUTCHER WHO BROUGHT YOU A STEAK?
SAY THAT IT IS AND I'LL DIE.
WHO DO YOU LOVE. I HOPE,
WHO WOULD YOU KISS, I HOPE,
WHO IS IT GOING TO BE,
I HOPE, I HOPE, I HOPE IT'S ME!

WINNIE
I HEARD YOUR QUESTION,
THE ANSWER; YOU KNOW.
LOVE IS MY MIDDLE NAME.
YOU ASKED A QUESTION,
THAT WORRIED YOU SO-
MIND IF I DO THE SAME?
WHO DO YOU LOVE, I HOPE,
WHO WOULD YOU KISS, I HOPE,
WHO IS IT GOING TO BE?
I HOPE, I HOPE, I HOPE IT'S ME.
WHO DO YOU WANT, I HOPE,
WHO DO YOU NEED, I HOPE,
WHO IS IT GOING TO BE?
I HOPE, I HOPE, I HOPE IT'S ME.
IS IT THE BLONDIE WHO ACTED SO SHY?
I HEARD THE THINGS THAT SHE SAID.
IS IT THE REDHEAD WHO GAVE YOU THE EYE?
SAY THAT IT IS, AND YOU'RE DEAD!
WHO DO YOU LOVE, I HOPE,
WHO WOULD YOU KISS, I HOPE,
WHO IS IT GOING TO BE?
I HOPE, I HOPE, I HOPE IT'S ME!
3. I GOT THE SUN IN THE MORNING

ANNIE
TAKING STOCK, OF WHAT I HAVE AND WHAT I HAVEN'T,
WHAT DO I FIND?
THE THINGS I HAVE WILL KEEP ME SATISFIED.
CHECKING UPON WHAT I HAVE AND WHAT I HAVEN'T.
WHAT DO I FIND?
A HEALTHY BALANCE ON THE CREDIT SIDE.
GOT NO DIAMOND, GOT NO PEARL.
STILL I THINK I'M A LUCKY GIRL,
I GOT THE SUN IN THE MORNING AND THE MOON AT NIGHT.
GOT NO MANSION, GOT NO YACHT.
STILL I'M HAPPY WITH WHAT I GOT.
I GOT THE SUN IN THE MORNING AND THE MOON AT NIGHT.
SUNSHINE GIVES ME A LOVELY DAY
MOONLIGHT GIVES ME THE MILKY WAY.
GOT NO CHECKBOOKS, GOT NO BANKS,
STILL I'D LIKE TO EXPRESS MY THANKS,
I GOT THE SON IN THE MORNING AND THE MOON AT NIGHT.
AND WITH THE SUN IN THE MORNING AND THE MOON IN THE EVENING
I'M ALL RIGHT
GOT NO BUTLER GOT NO MAID,
STILL I THINK I'VE BEEN OVERPAID.
I GOT THE SUN IN THE MORNING AND THE MOON AT NIGHT.

GIRLS & BOYS
I GOT THE SUN IN THE MORNING AND THE MOON AT NIGHT.

ANNIE
GOT NO SILVER GOT NO GOLD,
WHAT I GOT CAN'T BE BOUGHT OR SOLD,
I GOT THE SUN IN THE MORNING AND THE MOON AT NIGHT.

GIRLS & BOYS
I GOT THE SUN IN THE MORNING AND THE MOON AT NIGHT

ANNIE
SUNSHINE GIVES ME A LOVELY DAY.
MOONLIGHT GIVES ME THE MILKY WAY.
GOT NO HEIRLOOMS FOR MY KIN.
MADE NO WILL, BUT WHEN I CASH IN
I'LL LEAVE THE SUN IN THE MORNING AND THE MOON AF NIGHT.

GIRLS & BOYS
RAH-DAH-DAW-DEY

ANNIE
AND WITH THE SUN IN THE MORNING AND THE MOON IN THE EVENING
I'M ALL RIGHT'

GIRLS & BOYS
GOT NO MANSION, GOT NO YACHT,
STILL I'M HAPPY WITH WHAT I'VE GOT.
I GOT THE SUN IN THE MORNING AND THE MOON AT NIGHT.
GOT NO SILVER GOT NO GOLD.
WHAT I GOT CAN'T BE BOUGHT OR SOLD,
I GOT THE SUN IN THE MORNING AND THE MOON AT NIGHT.

WAITERS & FOOTMEN, GIRLS & BOYS
SUNSHINE GIVES ME A LOVELY DAY,
MOONLIGHT GIVES ME THE MILKY WAY.

ENSEMBLE
GOT NO CHECKBOOKS, GOT NO BANKS,
STILL I'D LIKE TO EXPRESS MY THANKS.
I GOT THE SUN IN THE MORNING AND THE MOON AT NIGHT.
AND WITH THE SUN IN THE MORNING AND THE MOON IN THE EVENING
I'M ALL RIGHT.

BUFFALO BILL, PAWNEE BILL & SITTING BULL
I GOT THE SUN IN THE MORNING AND THE MOON AT NIGHT.

TOMMY & WINNIE
I GOT THE SUN IN THE MORNING AND THE MOON AT NIGHT.

ANNIE
SUNSHINE GIVES ME A LOVELY DAY,
MOONLIGHT GIVES ME THE MILKY WAY

DOLLY & CHARLIE
I GOT THE SUN IN THE MORNING AND THE MOON AT NIGHT.

CHILDREN
AND WITH THE SUN IN THE MORNING AND THE MOON IN THE EVENING
WE'RE ALL RIGHT.

ENSEMBLE
GOT NO DIAMOND, GOT NO PEARL.
STILL WE THINK YOU'RE A LUCKY GIRL,
I GOT THE SUN IN THE MORNING AND THE MOON AT NIGHT.
4. THE GIRL THAT I MARRY [REPRISE]
FRANK
THE GIRL THAT I MARRY WILL HAVE TO BE
AS SOFT AND AS PINK AS A NURSERY.
THE GIRL I CALL MY OWN
WILL WEAR SATINS AND LACES AND SMELL OF COLOGNE.
HER NAILS WILL BE POLISHED. AND IN HER HAIR
SHE'LL WEAR A GARDENIA, AND I'LL BE THERE.
A DOLL I CAN CARRY
THE GIRL THAT I MARRY MUST BE!
5. ANYTHING YOU CAN DO
ANNIE
ANYTHING YOU CAN DO I CAN DO BETTER;
I CAN DO ANYTHING BETTER THAN YOU!

FRANK
NO, YOU CAN'T.

ANNIE
YES, I CAN.

FRANK
NO, YOU CAN'T.

ANNIE
YES, I CAN.

FRANK
NO, YOU CAN'T.

ANNIE
YES, I CAN! YES, I CAN!

FRANK
ANYTHING YOU CAN BE I CAN BE GREATER;
SOONER OR LATER I'M GREATER THAN YOU.

ANNIE
NO, YOU'RE NOT.

FRANK
YES, I AM.

ANNIE
NO, YOU'RE NOT.

FRANK
YES, I AM.

ANNIE
NO, YOU'RE NOT.

FRANK
YES, I AM I YES, I AM!
I CAN SHOOT A PARTRIDGE
WITH A SINGLE CARTRIDGE.

ANNIE
I CAN GET A SPARROW
WITH A BOW AND ARROW.


FRANK
I CAN LIVE ON BREAD AND CHEESE.

ANNIE
AND ONLY ON THAT?

FRANK
YES.

ANNIE
SO CAN A RAT!

FRANK
ANY NOTE YOU CAN REACH I CAN GO HIGHER.

ANNIE
I CAN SING ANYTHING HIGHER THAN YOU.

FRANK
NO, YOU CAN'T.

ANNIE
YES, I CAN.

FRANK
NO, YOU CAN'T.

ANNIE
YES, I CAN.

FRANK
NO, YOU CAN'T,

ANNIE
YES, I CAN.

FRANK
NO, YOU CAN'T.

ANNIE
YES, I CAN.

FRANK
NO, YOU CAN'T.

ANNIE
YES, I CAN!

ANNIE
ANYTHING YOU CAN BUY I CAN BUY CHEAPER.
I CAN BUY ANYTHING CHEAPER THAN YOU.

FRANK
FIFTY CENTS.

ANNIE
FORTY CENTS.

FRANK
THIRTY CENTS.

ANNIE
TWENTY CENTS.

FRANK
NO, YOU CAN'T.

ANNIE
YES, I CAN! YES, I CAN!

FRANK
ANYTHING YOU CAN SAY I CAN SAY SOFTER.

ANNIE
I CAN SAY ANYTHING SOFTER THAN YOU.

FRANK
NO, YOU CAN'T.

ANNIE
YES, I CAN.

FRANK
NO, YOU CAN'T.

ANNIE
YES, I CAN.

FRANK
NO, YOU CAN'T.

ANNIE
YES, I CAN! YES, I CAN!

FRANK
I CAN DRINK MY LIQUOR
FASTER THAN A FLICKER;

ANNIE
I CAN DO IT QUICKER;
AND GET EVEN SICKER.

FRANK
I CAN OPEN ANY SAFE.

ANNIE
WITHOUT BEING CAUGHT?

FRANK
SURE.

ANNIE
THAT'S WHAT I THOUGHT-YOU CROOK!

FRANK
ANY NOTE YOU CAN HOLD I CAN HOLD LONGER;

ANNIE
I CAN HOLD ANY NOTE LONGER THAN YOU.

FRANK
NO, YOU CAN'T.

ANNIE
YES, I CAN.

FRANK
NO, YOU CAN'T.

ANNIE
YES, I CAN.

FRANK
NO, YOU CAN'T.

ANNIE
YES, I CAN
YES, I...

FRANK
NO, YOU CAN'T.

ANNIE
... CAN.

FRANK
YES, YOU CAN!

ANNIE
ANYTHING YOU CAN WEAR I CAN WEAR BETTER,
IN WHAT YOU WEAR I'D LOOK BETTER THAN YOU.

FRANK
IN MY COAT.

ANNIE
IN YOUR VEST.

FRANK
IN MY SHOES.

ANNIE
IN YOUR HAT.

FRANK
NO, YOU CAN'T.

ANNIE
YES, I CAN! YES, I CAN!

FRANK
ANYTHING YOU CAN SAY I CAN SAY FASTER.

ANNIE
I CAN SAY ANYTHING FASTER THAN YOU.

FRANK
NO, YOU CAN'T.

ANNIE
YES, I CAN.

FRANK
NO, YOU CAN'T.

ANNIE
YES, I CAN.

FRANK
NO, YOU CAN'T - NO, YOU CAN'T.

ANNIE
YES, I CAN! YES, I CAN!

FRANK
I CAN JUMP A HURDLE.

ANNIE
I CAN WEAR A GIRDLE.

FRANK
I CAN KNIT A SWEATER;

ANNIE
I CAN FILL IT BETTER;

FRANK
I CAN DO MOST ANYTHING.

ANNIE
CAN YOU BAKE A PIE?

FRANK
NO.

ANNIE
NEITHER CAN I.

FRANK
ANY NOTE YOU CAN SING I CAN SING SWEETER;

ANNIE
I CAN SING ANYTHING SWEETER THAN YOU.

FRANK
NO, YOU CAN'T.

ANNIE
YES, I CAN.

FRANK
NO, YOU CAN'T,

ANNIE
YES, I CAN,

FRANK
NO, YOU CAN'T,

ANNIE
YES, I CAN,

FRANK
NO, YOU CAN'T.

ANNIE
YES, I CAN.

FRANK
NO, YOU CAN'T, CAN'T, CAN'T,

ANNIE
YES, I CAN, CAN, CAN I

FRANK
NO, YOU CAN'T I

ANNIE
YES, I CAN!
6. FINALE ACT 2
ENSEMBLE
THERE'S NO BUSINESS LIKE SHOW BUSINESS.
LIKE NO BUSINESS I KNOW.
EV'RYTHING ABOUT IT IS APPEALING,
EV'RYTHING THE TRAFFIC WILL ALLOW,
NOWHERE COULD YOU GET THAT HAPPY FEELING.
WHEN YOU ARE STEALING THAT EXTRA BOW.
THERE'S NO PEOPLE LIKE SHOW PEOPLE.
THEY SMILE WHEN THEY ARE LOW:
EVEN WITH A TURKEY THAT YOU KNOW WILL FOLD
YOU MAY BE STRANDED OUT IN THE COLD.
STILL YOU WOULDN'T CHANGE IT FOR A SACK OF GOLD
LET'S GOON WITH THE SHOW-
LET'S GO ON WITH THE SHOW!

THEY SAY THAT FALLING IN LOVE IS WONDERFUL.
IT'S WONDERFUL-SO THEY SAY.
AND WITH A MOON UP ABOVE IT'S WONDERFUL.
IT'S WONDERFUL-SO THEY TELL ME.
I CAN'T RECALL WHO SAID IT,
I KNOW I NEVER READ IT,
I ONLY KNOW THEY TELL ME THAT LOVE IS GRAND-AND
THE THING THAT'S KNOWN AS ROMANCE
IS WONDERFUL, WONDERFUL, IN EVERY WAY,
SO THEY SAY!
7. AN OLD FASHIONED WEDDING
FRANK
WE'LL HAVE AN OLD FASHIONED WEDDING.
BLESSED IN THE GOOD OLD FASHIONED WAY,
I'LL VOW TO LOVE YOU FOREVER.
YOU'LL VOW TO LOVE AND HONOR AND OBEY.
SOMEWHERE IN SOME LITTLE CHAPEL.
SOMEDAY WHEN ORANGE BLOSSOMS BLOOM.
WE'LL HAVE AN OLD FASHIONED WEDDING.
A SIMPLE WEDDING FOR AN OLD FASHIONED BRIDE AND GROOM.
ANNIE
I WANNA WEDDING IN A BIG CHURCH
WITH BRIDE'S MAIDS AND FLOWER GIRLS.
A LOT OF USHERS IN TAIL'COATS.
REPORTERS AND PHOTOGRAPHERS,
A CEREMONY WITH A BISHOP
WHO WILL TIE THAT KNOT AND SAY
"DO YOU AGREE TO LOVE AND HONOR;"
LOVE AND HONOR; YES, BUT NOT OBEY.
I WANNA WEDDING RING SURROUNDED BY DIAMONDS
AND PLATINUM.
A BIG RECEPTIQN AT THE WALDORF
WITH CHAMPAGNE AND CAVIAR,
I WANNA WEDDING LIKE THE VANDERBILTS HAVE.
EV'RYTHING BIG-NOT SMALL.
IF I CAN'T HAVE THAT KIND OF A WEDDING
I DON'T WANNA GET MARRIED AT ALL.
FRANK
WE'LL HAVE AN OLD FASHIONED WEDDING,
BLESSED IN THE GOOD OLD FASHIONED WAY.
I'LL VOW TO LOVE YOU FOREVER.
YOU'LL VOW TO LOVE AND HONOR AND OBEY.
SOMEWHERE IN SOME LITTLE CHAPEL.
SOMEDAY WHEN ORANGE BLOSSOMS BLOOM.
WE'LL HAVE AN OLD FASHIONED WEDDING.
A SIMPLEWEDDING LORAN OLD FASHIONED BRIDE AND GROOM.

ANNIE
I WANNA WEDDING IN A BIG CHURCH
WITH BRIDE'S MAIDS AND FLOWER GIRLS.
A LOT OF USHERS IN TAIL'COATS.
REPORTERS AND PHOTOGRAPHERS.
A CEREMONY WITH A BISHOP
WHO WILL TIE THE KNOT AND SAY
"DO YOU AGREE TO LOVE AND HONOR."
LOVE AND HONOR. YES, BUT NOT OBEY.
I WANNA WEDDING RING SURROUNDED BY DIAMONDS
AND PLATINUM.
A BIG RECEPTION AT THE WALDORF
WITH CHAMPAGNE AND CAVIAR;
I WANNA WEDDING LIKE THE VANDERBILTS HAVE,
EV'RYTHING BIG-NOT SMALL.
IF IT'S NOT A BIG WEDDING
I DON'T WANNA GET MARRIED AT ALL.